Sunday, 20 November 2016

Control Room: Propaganda Iraq War 2003

The documentary Control Room directed by Jehane Noujaim shines a light on the use of media bias and war propaganda during the Iraq war of 2003. US forces liberated the Iraqi population from the reign of Saddam Hussein. From an American vision Iraq was successfully freed, however an Iraqi perceives the opposite. The war caused many civilian causalities and media controversy. Nowadays, warfare does not only depend on advanced ammunition but also the power of media. I would say that the media has become a prominent weapon to contemporary warfare as to using propaganda to their advantage in fighting the opposition. It is almost impossible to incorporate objectivity in cases such as reporting about the Iraq war, including both American and Iraqi journalists. As an Al Jazeera journalist claims: “The word objectivity is almost a mirage.”

On this note, I will be evaluating the following prompt with regards to topics discussed in the documentary Control Room and the Iraq war of 2003: “The term propaganda always refers to a negative message.” I disagree with this statement, as I was enlightened by the media insights of several journalists, correspondents and generals in Control Room. We often find ourselves shining a light unintentionally on one particular side of the story due to our different ethnic backgrounds and ideological beliefs. It is in the nature of a human being to unconsciously defend that, which is valuable to our individual or collective value systems. Such behavior goes by the name 'polarization'. In addition to this realization, Samir Khader Senior Producer of Al Jazeera mentioned the following: “You can not wage a war without rumors, without media, without propaganda.” Media is exposed to the majority of the world and its people. Warfare has become extremely reliant on the media and the way war is exposed depending on the origin of the news station. Presenting military offenses and their causes to the public will undoubtedly evoke a personal response from the audience and with that the operating forces have become much more vulnerable to the allegation of war propaganda and media bias.

The term ‘always’ is the trigger in this statement and applies suitably to the instance in Control Room when the US troops were entering Baghdad in their final attempt to liberate the Iraqi from Hussein’s dictatorship. On this day they used Jessica Lynch’s rescue as a façade to conceal their invasion. It was a successful and strategic use of propaganda and media coverage according to a CNN Correspondent: “Seems like they manage the news in a pretty unmanageable situation. They buried the lead and they are pretty good at it.”

Additionally, Khader spoke wise words at the end of the documentary that had a lasting impact on me and shaped my vision towards the validity of the concerning statement of this blog. He said: “History is written by the victors. People like victory. Once you are victorious you don’t have to justify.” This contributed to the defeat of Iraq and the way of the US troops showcasing their conquest. America played an intelligent media performance when they ‘liberated’ Iraq from Saddam Hussein. They brought in men who were supposed to be Iraqis celebrating the liberation – according to Samir Khader they were not Iraqi – and broke down the statue of Saddam Hussein, as people would remember this image for a long time and forget the horrors that preceded their victory. This form of war propaganda indubitably demoralizes the virtual filter through which the news is presented to the public, yet in various cases it can stimulate a positive effect. It is more a matter of questioning the extent to which one can be objective about a case that involves your nation and your people. Which in turn sparks debate on the morality of using propaganda in warfare.   

Sunday, 13 November 2016

Media Bias and Ideology

In the context of our current unit 'Media Bias', this blog post includes rewriting a news article that contains bias perspectives and ideologies and implementing a different ideological standpoint. I have chosen a political article from the American news source 'The New York Times' regarding Hillary Clinton's accusation of using a private email server. Yet the author and editor of this article seems to have had a personal affectionate bias towards Hillary as an adequate candidate for presidency. The article influences the reader to acknowledge the reason for her unfortunate defeat. Considering The New York Times is a democratic newspaper there exists a bias amongst the editors in chief as they are more likely to abide by democratic ideologies in contrast to republican ideals (Donald Trump). The article used highly emotive language and almost had a persuasive pull to the diction used. The task is to rewrite this article implementing a different ideological viewpoint. To lean more towards an opposing perspective, I will impose a Republican attitude towards the content of the article.

"Hillary Clinton Claims to have Lost the Elections due to F.B.I. Director

On Saturday, F.B.I. director James B. Comey was accused of Hillary Clinton's loss in the elections by the Mrs. herself. James B. had supposedly announced and revived the inquiry into her use of a private email server, re-sparking the discussion on Mrs. Clinton's disloyalty and incapability to run a truthful presidency.

She impudently imposed guilt upon Mr. Comey to regain a trustworthy reputation to her middle-classed supporters, as she was still competing against Donald J. Trump early Wednesday. Mrs. Clinton fiercely spoke to her donors on a conference call that Mr. Comey's decision to send a letter to the Congress about the inquiry 11 days before Election Day had thrust the controversy back into the news and representing the naked truth behind Mrs. Clinton's deeds and intentions.This had supposedly prevented her from ending the campaign with an optimistic closing argument.

"There are lots of reasons why an election like this is not successful," Mrs. Clinton selectively pointed out. As she continued to persuade in despite, "our analysis is that Comey's letter raising doubts that were groundless, baseless, proven to be, stopped out momentum."

The letter from Mr. Comey which arrived two days before Election Day had a more catastrophic impact on her reputation, benefitting her opponent Donald J. Trump in his race to become President of the United States of America."

- Coco Bink

Link to article: http://www.nytimes.com/2016/11/13/us/politics/hillary-clinton-james-comey.html?hp&action=click&pgtype=Homepage&clickSource=thumb&module=a-lede-package-region&region=top-news&WT.nav=top-news
Title: "Hillary Clinton Blames F.B.I. Director for Election Loss"


Wednesday, 5 October 2016

IOC Outline Coriolanus

Introduction: 

(A) Contextualize - This passage derives from Act 5, Scene III 'The Tent of Coriolanus'. The play explores the physical and internal impacts of the political shift which takes place in Rome during the 17th century. Coriolanus is observed throughout this shift whereby his failure to adapt to this new political system are the reason for his downfall as a tragic hero. The genre is drama. The action leading up to this passage covers the vainly attempt to withhold Coriolanus from attacking Rome. As Menenius failed he begged Volumnia to step in. The lasts scenes of this act show that Volumnia's influential character has stopped Coriolanus and indicates the power Volumnia possesses, defying from the usual female characters in Shakespeare's plays.

(B) Overview and structure - Volumnia pleads to Coriolanus that he must not attack Rome out of respect for his family and his reputation to the public. He must withstand his eagerness to fight in order to show his worth to his city. The strong dramatic dialogue of Volumnia and extensive emotions that come into play in this passage reinforces Volumnia's power over Coriolanus.

(C) Establishing the purpose and significance of the passage - Coriolanus is the prominent figure observed throughout this play, as we as an audience experience the antagonistic nature of his character. Shakespeare does incorporate dramatic irony to excite the plot and foreshadow the actions Coriolanus undertakes. The passage builds up to Coriolanus' decision to withdraw from the offensive him and Aufidius had planned.

(D) Indicate how you will structure the body of your commentary - This IOC will be delivered in a thematic manner.

Body Thematic: (Each Literary Feature) 

Thesis: Through the use of various literary devices including repetition and hypophora Shakespeare is able to emphasize the powerful characterization of Volumnia. Additionally, the purpose of imagery reinforces the war image which Volumnia wants Coriolanus to disregard.

Repetition

  • "O mother, mother!" 
  • "believe it, O, believe it" 
  • "sir"

Hypophora

  • "A mother less? Or granted less, Aufidius?"

Imagery

  • "I am hush'd until out city be a-fire, And then I'll speak a little" 
  • "let us shame him with our knees, To his surname Coriolanus 'longs more pride Than pity to our prayers" 


Conclusion:

To conclude, Shakespeare exposes the strong character of Volumnia opposed to violent and bloodthirsty nature of Coriolanus using explicit literary devices and imagery. Shakespeare hereby defies from his other plays whereby females are inferior, yet Volunmia is the influential factor in the play. The political shift which Coriolanus as a tribal character undergoes leads to a tragic result and signifies the several aspects you need to acquire to lead a democracy.





Monday, 5 September 2016

Little Boy

Andre Hazes is a Dutch folk singer and instantly turned into a star when he released his first single Een eenzame kerst (‘A lonely Christmas). His music falls under the genre Levenslied (song about life), which depicts the lives of the ordinary. As a folk singer originating from a popular place in Amsterdam, many people are able to relate with his feelings and the meaning behind his songwriting. Amsterdam is known for its cosines (due to its size) and everyone is familiar with the people around them. A close bond exists between a lot of Holland’s inhabitants and Hazes is the extra force enhancing this affiliation. Considering Hazes discusses the ordinary, subtle and sensitive aspects of life, almost everybody can empathize with the themes he brings to light. Little Boy is an ode to his son Melvin about the rules and realities of life, the confrontations of growing up and the virtues of living. It pulls the attention of a wide scope of people, as we have all gone through the process of getting a taste of life, like Grace in Alice Munro’s Passion. There are ups and downs, people who will let you fall but you will have to stand up again and continue to live life to the fullest. These are general morals about life, which anyone can associate themselves with. This is the reason why Hazes can effectively evoke emotions, he knows how to bring people together and make them united by discussing the obstacles we all face from time to time. These are the English lyrics of the Kleine jongen (‘Little Boy’):  

[My] little boy,
You're on this world so you'll have to fight like me
I can know it
Life isn't always easy,
There are obstacles at every moment.

[My] little boy,
There are many good people,
But bad ones exist too, it's a pity it's true
But you have to think;
That soon you'll realise
That honesty wins from lies

Refrain

This life goes so fast
There is so little time, so live, you're free
But be wise and make the people happy
Then you'll be truly happy
Because life's so short
Many things will change once you get older
You still play with LEGO, but that'll soon change!
It's a pity, but you won't stay small

[My] little boy,
At school you'll notice it's all about grades and power
It's life
So learn what you have to
And then you'll be the one who has the last laugh

[My] little boy,
And once you're grown
Then maybe your father isn't anymore
Then tell your children this story from your old man

Refrain


Sunday, 4 September 2016

You choose how and what to think

David Foster Wallace revealed an intriguing theory in his essay This is Water about learning how to think and the impact on one’s self. Once you have control over your mind, you will be able to adjust thoughts, steer your mentality and develop sympathy to care about other people’s contemplations. Educating your mind to positively change the unconscious frustrations that run your brain’s thinking in dreadful situations is what Wallace considers pure freedom. He brings to light the self-centered outlook we deep down all insensibly abide and how this ‘natural default-setting’ can be controlled once you learn how to think. Wallace thoroughly evolves this thesis by inflicting a real life situation of adultery procedures that triggers the instinctive behavior to regard yourself as the ‘absolute center of the universe, the most vivid and important person in existence.’ At one point in one’s life, most likely referred to as adulthood, the experience of day-to-day routines starts to interfere with the way we view ourselves in comparison to the rest around us; in This is Water a hard-working man awaits his turn at the cashier in a packed supermarket and can’t help but acknowledge his own pettiness. This is the point where a ‘well-adjusted’ individual would activate their emotional intelligence to empathize with the rest of the people in the supermarket who might endure more complex frustrations besides a hungry stomach and a tired body. It is that mental switch which sets your mind free and educates you to impart “attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.’ You can change the way you think and choose to think differently.


In relation to Alice Munro’s short stories, Wallace’s theory communicates a strong parallel to the subject matter of her writing. Munro embraces the significant aspects of day-to-day life and includes emotional intelligence as a way of developing empathy amidst her characters. In turn this can influence the audience to become aware of the essence of emotional intelligence and deliver a positive impact on the way we get to choose how to think. In Free Radicals, Munro develops the character Anita to sympathize with a murderer in order to save herself. She fabricates a story in which she kills “Nita” to compensate the man’s offense and connect to his thoughts conducive to the determination of her subsequent life course.

Sunday, 14 August 2016

I amsterdam

Amsterdam is the city I was born and raised for 12 twelve years to be exact before I moved to Abu Dhabi. Since I left, Amsterdam has encountered a huge increase in international interest. The typical Dutch archetypes carry a significant importance for tourists to explore, as the small city is yearly visited by 16 million individuals. The canals are a daily spectacle along with the canal houses and museums. In those few years I've been gone it is easy for me to indicate the increase in international interest. This summer beats it all; the city with its fairly small pathways and public spaces was packed by large crowds of holidaymakers walking uncoordinatedly in smaller devisions around the streets of Amsterdam. Many languages vibrated on the drums of my ears however the city moved as a whole; we were all celebrating summer and enjoying the freedom which Amsterdam offers. Would I have noticed the cultural diversity and flow of international people if I still lived here? Or would I simply be annoyed by the many unexperienced bikers? Back in time I considered this my home but now I slightly feel more connected to the ones who encounter Amsterdam for the first time; with love for its culture and admiration for its appearance. The feeling of returning to Amsterdam arouses excitement, more than before when I would return from a holiday. It is a special place to me and I share this feeling with many others who come from far. This city offers so much inspiration and life aspirations that the thought of Amsterdam as my home has now changed into the city which will open up a new chapter in my life. Next year when I move back for my studies, I will start experiencing Amsterdam in a different light. One which I would not have known if I had still lived there. The small details of the city are much more visible and my observations of the way my local friends move around the city contrast to how I silently await till the next tram arrives. For them it is a daily burden but for me a daily realization how enormously handy public transportation is to easily make your way through the secular streets of Amsterdam. 

I truly believe that value of a home country or city is intensified at least twice as much once you step away from it for a few years and revisit it with a broadened mindset. 

Japanese Prints

'A summer long in Abu Dhabi' was my initial thought at the start of summer break 2016. The heat had already begun to make it impossible to enjoy myself outdoors so an everlasting indoor summer threatened to arrive accompanied by the words of wisdom by Alice Munro. Nevertheless, my parents surprised me with a trip to my home country, The Netherlands, which I entirely spent walking around the streets of Amsterdam. The 'Rijksmuseum' was one of my visits that left an impressive and inspirational memory to cherish forever. A dear friend of my family and myself exposed a broad collection of rare Japanese prints from the modernist time period (19th and 20th century) portraying the female human figure in a liberal and defiant manner fighting old Japanese customs. This subject, unintentionally, brought to my attention our gender stereotype unit. Japanese advertising posters projected the Japanese woman as independent and free often shown through Western clothing and the exposure of naked skin. Besides the fact that my mind connected this collection to the content of our English classes, I gained some great ideas for woodblock cuttings for future artworks. The fine lines and precision the Japanese control in their work is brilliant to observe and learn from.

The 'Rijksmuseum' also revealed the two very important artworks 'Marten en Oopjen'. Dutch art historians have recently highlighted the special features of the two portrait paintings created by the Dutch master Rembrandt van Rijn. The couple painted on two separate canvases showcases the a beautiful contrast of light and dark, as most of Rembrandt's work tends to embrace. Both figures are dressed in black and positioned against a black background. The way Rembrandt has differentiated them is fantastic. Through a light source coming from the left the black in the background is slightly more intense than the clothing and contrasts beautifully with the white lace circling the ends of the sleeves. Depth is an important factor in his works and requires thorough observation to create the wanted affect.

Visiting such collections and pieces of art has made me realize in greater certainty that my direction of study after Raha is the arts industry.
- Coco

Saturday, 14 May 2016

Significance of Historical Background Achebe

In addition to Paper Two Mock Exam preparation, I will complete another brief outline for a potential essay question. The question which will be answered for today will be 'how Achebe constructs meaning in his writing through the significance of his personal historical background'.

Thesis Statement: In the novel Things Fall Apart, the presence of Achebe's personal historical background beholds a significant role in his writing to portray Umuofia as a sophisticated culture in addition to his experience with Igbo cultural practices and prohibition. Hence, Achebe accomplishes catharsis through portraying an appreciation for both Christian and Igbo cultures due to his Christian upbringing, reflecting the traditions of his ancestors in response to his renunciation of African traditions, and utilizing his writing as a reflective medium to cope with his conflicts.

Topic Sentence 1: Throughout the novel Achebe is striving to present the prime values of Christianity as compatible to Igbo culture. Due to his Christian upbringing he feels obligated to balance his perception on the impact of Christian religion in Umuofia and demonstrate a realistic representation of Nigerian colonization without showcasing Umuofia's society as primitive.



Tuesday, 10 May 2016

Gender Prevalence in Things Fall Apart

Blog Post | Gender Prevalence in Things Fall Apart

With the Grade 11 Mock Exams on the horizon, it is important that I’m well prepared for the English Language and Literature Paper One and Paper Two exams to maintain my current grade. In preparation to Paper Two, I will create an outline including a thesis statement and topic sentences in response to the following potential essay question; ‘With reference to Things Fall Apart, discuss how an understanding of gender influences how the text may be understood.’

Thesis Statement: In the rich-cultured novel Things Fall Apart, Nigerian author Chinua Achebe addresses the controversial notion of gender prevalence in reference to the respected values of Igbo culture to a diverse audience including both Western and African readers. Consequently, the understanding of gender within the story becomes culturally dependent; the submissive role of women in society versus men, significance of elderly supremacy with specific appreciation to all mother figures, and lastly interpretation of male strength opposing female courage.  

Topic Sentence 1: The portrayal of the submissive role of women in Umuofia is one of the accepted social positions within Igbo culture, hence Western readers will be more critical of this segregation between male and female genders. Equality is highly valued in the Western world.

Topic Sentence 2: Achebe stresses the importance of the Igbo hierarchical system by predominating the elderly classes due to their life experiences and knowledge. Especially motherhood is profoundly appreciated as they are the ones who protect their children and they form the essential link with mother earth.

Topic Sentence 3:
Male dominance is easily detected when observing Okonkwo’s character who detests female traits as he views them as weak and powerless. A western audience will respond more sensitive then an African audience would, as Achebe emphasizes the importance of achieving titles amongst men tribal members in Igbo culture and this is uncommon to the Westerns.



Saturday, 30 April 2016

Tragic Hero

Achebe has intentionally adapted the conventions of the tragic hero archetype to Okonkwo, the main character in Things Fall Apart. Okonkwo reflects the downfall of the Igbo tribe when the missionaries came to Umoufia and took over their community. Things Fall Apart is considered a tragedy relative to the upsurge of Western expansion and colonization within the African continent. Throughout the novel, we experience how Okonkwo develops his sociopolitical position within Umuofia's tribal community. Their culture evolved a complex hierarchical structure which divides the Igbo people in distinct groups according to their wealth, age, gender and willpower. Okonkwo belonging to the top chiefs of Umoufia and having earned the highest title for his courage and arrogance, is the ultimate product of their society.

Monday, 25 April 2016

Guidebook Igboland

Exploration Igboland – Deepen into the beliefs of the Igbo and discover your benevolent chi

A land that appreciates the death as much as the living – Igboland

Today I am telling you the remarkable story of my latest encounter significant to our rich cultured globe; my discovery of Igboland along the Niger River. As a western, my curiosity and passion for the African continent and its diverse ethnic communities has brought to the Southeastern community named Igboland. Prior to my arrival, my understanding and perception of the cultural values and beliefs of the Igbo people was limited. To be truly accurate in your portrayal of a certain culture, one will have to have experienced their lifestyle to understand the traditions they share. It is my honor today to elaborate and educate those who will be visiting the land of the Igbo people regarding diplomatic purposes. The western world opposes the Igbo in many different cultural aspects; therefore I’ll be presenting this guidebook to evoke equal respect, greater understanding and appreciation for their way of living.

There are a few important factors to take into account of when it comes to establishing prosperous diplomatic relationships with the Igbo people. First of all it is inaccurate to speak of the Igbo as a single people; there are over two hundred distinct groups with slight variations in dialect and customs. Sociopolitical organization is very important to undertake any initiatives within an Igbo community. Further more, one should also be aware of their religious composition and practices in order to prevent cultural misinterpretations and future conflict.

The social and political situations within Igboland expose complex structures with a lack of centralized political constructions. The Igbo lived in autonomous villages and towns ruled by their elders. However, there were some exceptions too: the Igbo lived under the essence of patrilineages. Patrilineages are lineage groups organized along lines of descent from father to son. It is very important to acknowledge that relationships within the Igbo community are formed through blood ties, whereby each person traced his or her descent to three groups; the smallest social unit uno (natural family with a father, mother and children), then you have the umunna (a group of houses) and finally the highest territorial authority the obodo (a group of lineages forming a village). Without this comprehension it is unclear to a western democratic citizen - like me - to identify the headman (onyisi) of each town and thus recognize the division of power amongst each town or village. The many towns within Igboland did not interact amongst each other and wars often broke out when the towns failed to pay equal respect towards each other.

The government of the Igbo was based on the five most important cross-cutting institutions regulating the principles of direct participation in the government. The council of elders, the age-groups, the acquisition of titles and the council of chiefs, the women’s association and the secret societies form the essence of the Igbo society. As a diplomat you should be fully aware of these structural terms in order to approach the leader of an Igbo town or village and discuss any diplomatic matter.

Council of elders à Matters of dispute amongst lineage members were discussed at the meetings of its elders, ndisi, with the assistance of the adult members of the lineage. The elders obtained their authority due to their reputation as the oldest representative of the founding ancestors within each town. However, the elders would never act without the approval of lineage members and mutual consensus.

Age-groups à The age-group association, known as the ogbo, consisted of men and women all of the same age. If you were born within a few years of each other in a town you belonged to the same age-group, men and women associations were held separate. The age-groups had specific names significant to an event that occurred during their birth. They were also quite purposeful as it automatically formed a system to assign special duties and responsibilities to the different segments of the community, in accordance with the principle of seniority. Each age-group promoted respect to the once of above them, with the aim to earn the same respect once their age-group advanced to higher grades. In addition, age-groups were known to support life-long friendships and close bonds.

Acquisition of titles and the council of chiefs à Within the Igbo community personal achievement was highly rewarded though prestige titles. The men who earned these titles were then acknowledged as great men or chiefs and were expected to showcase their community to outsiders. Social advancement is a concept that is taught early to children so they could learn how to become a powerful chief. They were aware of the consequences if one failed to progress beyond junior titles; they were given a humiliating name such as agbala (meaning ‘woman’) and were buried without dignity. Status attainment was clearly linked to the acquisition of wealth through hard work. The highest title attainable was ozo and to acquire this position you have to take ownership of all the junior titles and discharge all the duties assigned to members of the junior title groups. Initially the Igbo people did not believe any man could inherit immortality, except for those who’ve earned the title ozo. With those came the gift immortality and that person was no longer an ordinary human but a god.

As a colonist, it was very important to be aware of these social hierarchies in order to attain the values of their culture. Each town contained an ozo and a agbala, which meant my knowledge upon the values of their culture became quite extensive.  

Women’s association à In addition to the title acquisitions within the male society, women also had their own age-group associations and title associations that complemented those of the men. Women were often given the possession of superior spiritual healing. And headed many of the traditional cults and shrines. Women were also rewarded wealth through trading, farming or weaving and were treated as ndi ogalanya (meaning a wealthy person). Like the men, women are also exposed to the concept of social advancement. However, they learned that marriage, hard work and membership of a certain association enables them to participate fully in the Igbo society. The most prestigious woman association is the omu; only those who had enough wealth to pay for the initiation ceremonies were admitted. The members of the omu were allowed to attend meetings of the councils of chiefs and participated in discussions affecting welfare of the citizens. “Igbo women’s associations upheld gender balance and equality. Their political and social activities were very useful, though men occasionally felt they were contentious.”

Secret societies à It was hard to explore the secret societies within Igboland as the women and men who joined them did not want to expose any information about this secretive organization. However, they do have an important function within the Igbo communities when it comes to judicial matters; masked ancestors might come forward to pronounce the verdict. As a diplomat it is very important to take into account of secret societies when you are approaching a sensitive topic amongst the chiefs of the towns. There will always be someone who is watching and observing you.

To seek mutual respect from the Igbo people, your awareness of religious customs and rituals is essential. Their beliefs regarding life, shines and gods differs noticeably from our western culture. The Igbo people have strong beliefs in the existence of multiple functioning gods and the Supreme Being (Chukwu). The Chukwu is the origin of all things and lives far away in the atmosphere.

  • ·      The names of the Igbo people reflect the beliefs of there culture.
  • ·      Everything is attributed to the will of god, nothing happens by chance.
  • ·      Shrines of worship were used to represent Chukwu because no one knows what he looks like.
  • ·      The Igbo also believed in the existence of Ekwensu; the equivalent of Satan.
  • ·      Rivers, streams, lakes and rain had life-sustaining qualities, and symbolized purity, cleanness, coolness, freshness, fertility and longevity. These were called the water spirits.
  • ·      They believed in a personal god; chi, which is similar to the Christian concept of a guardian angel.
  • ·      Their entire religious system of the Igbo people revolved around the idea of birth, death and reincarnation.